Sister Mercy
trembling
I would watch
Sister Mercy’s
weathered hands
work the soil
in the convent garden
I would hide half
behind the bird bath
till the stark white
of my anklet
among green weeds
would confess my presence
Hello child was all she’d say
the smile in her eyes never faltered
as I watched weathered hands
make halos
for flowers
out of dirt
children were not allowed
in the convent garden
Sister Mercy
the old retired nun
pruned the convent roses
and fed the seven
hungry goldfish
swimming
in the concrete pond
I would watch
the light
hit them
iridescent
as Sister Mercy’s hum
echoed like the chapel bells
and weathered hands
made rows of halos ‘round
the flowers in the dirt
Sister Mercy let me linger there
though she knew
children were not allowed
in the convent garden
then: out from God’s bowels
like a hawk from the sky
I would see
Sister Francetta’s glare
emanating from her blacks
as she swooped
down
the chapel stairs
to retrieve me
from Sister Mercy’s sacristy
–Carolyn M Crane
Pigments of My Imagination
Glaze of dawning brushed
Across unsullied ground
I set my back to morning
And leaning at my cane
As if on a mahl stick
Scumble my sandy-eyed shadow
Onto another day’s canvas
Stretched from too early
To the west too far
–Robert Lee Haycock
Our fiction writer Carolyn Waggoner thought of this poem by Elizabeth Bishop when she reflected on “iridescence.”
The Fish
I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth.
He didn’t fight.
He hadn’t fought at all.
He hung a grunting weight,
battered and venerable
and homely. Here and there
his brown skin hung in strips
like ancient wallpaper,
and its pattern of darker brown
was like wallpaper:
shapes like full-blown roses
stained and lost through age.
He was speckled with barnacles,
fine rosettes of lime,
and infested
with tiny white sea-lice,
and underneath two or three
rags of green weed hung down.
While his gills were breathing in
the terrible oxygen
– the frightening gills,
fresh and crisp with blood,
that can cut so badly-
I thought of the coarse white flesh
packed in like feathers,
the big bones and the little bones,
the dramatic reds and blacks
of his shiny entrails,
and the pink swim-bladder
like a big peony.
I looked into his eyes
which were far larger than mine
but shallower, and yellowed,
the irises backed and packed
with tarnished tinfoil
seen through the lenses
of old scratched isinglass.
They shifted a little, but not
to return my stare.
– It was more like the tipping
of an object toward the light.
I admired his sullen face,
the mechanism of his jaw,
and then I saw
that from his lower lip
– if you could call it a lip
grim, wet, and weaponlike,
hung five old pieces of fish-line,
or four and a wire leader
with the swivel still attached,
with all their five big hooks
grown firmly in his mouth.
A green line, frayed at the end
where he broke it, two heavier lines,
and a fine black thread
still crimped from the strain and snap
when it broke and he got away.
Like medals with their ribbons
frayed and wavering,
a five-haired beard of wisdom
trailing from his aching jaw.
I stared and stared
and victory filled up
the little rented boat,
from the pool of bilge
where oil had spread a rainbow
around the rusted engine
to the bailer rusted orange,
the sun-cracked thwarts,
the oarlocks on their strings,
the gunnels- until everything
was rainbow, rainbow, rainbow!
And I let the fish go.
–Elizabeth Bishop
Yum. Thank you.